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“Her poems read like the journal entries of a mystic – perhaps that what they are. They are abstract and vivid, like a dreamy manifestation of soul. This is the best way, in prose, one can describe the music which is … the poetry of Allison Grayhurst.”
- Blaise Wigglesworth, "Oh! Magazine: Ryerson's Arts and Culture Voice".
"Read at your peril. You will never look at this world in quite the same way again. Your eye will instinctively search the sky for eagles and scan the dark earth for the slightest movement of smallest ant, your heart will reach for tall mountains, bathe in the most intimate of passions and in the grain and grit of our earth. Such is Allison Grayhurst. Such is her poetry,"
- Eric M. Vogt, poet and author.
"Grayhurst is a great Canadian poet. All of Allison Grayhurst's poetry is original, sometimes startling, and more often than not, powerful. Anyone who loves modern poetry that does not follow the common path will find Grayhurst complex, insightful, and as good a poet as anyone writing in the world today. Grayhurst's poetry volumes are highly, highly recommended,"
- Tom Davis, poet, novelist and educator.
“Grayhurst’s poetry is a translucent, ethereal dream in which words push through the fog, always searching, struggling, and reaching for the powerful soul at its heart. Her work is vibrant and shockingly original,”
- Beach Holme Publishers.
“What a treasure Allison Grayhurst is. Her gift? To unfold for us life at this intensity of feeling and revelation. Who knew truth and beauty could be so intertwined and so passionate?,”
- Taylor Jane Green, BA, RIHR, CH, Registered Holistic Talk Therapist and author.
"Her (Allison Grayhurst's) poetry appears visceral, not for the faint of heart, and moves forward with a dynamism, with a frenetic pulse. If you seek the truth, the physical blood and bones, then, by all means, open the world into which we were all born,"
- Anne Burke, poet, regional representative for Alberta on the League of Canadian Poets' Council, and chair of the Feminist Caucus.
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More about Allison Grayhurst:
She lives in Toronto with her family – husband, singer/songwriter, author and cartoonist Kyp Harness, their daughter, son, dog, two cats and bird. She is a vegan for the animals. She also sculpts, working with clay.
Contact her directly at: email@example.com
Allison Grayhurst is a full member of the League of Canadian Poets. Three of her poems have been nominated for Sundress Publications “Best of the Net” 2015, and she has more than 850 poems published in over 375 international literary magazines, journals and anthologies.
Her book Somewhere Falling was published by Beach Holme Publishers, a Porcepic Book, in Vancouver in 1995. Since then she has published twelve other books of poetry and six collections with Edge Unlimited Publishing. Prior to the publication of Somewhere Falling she had a poetry book published, Common Dream, and four chapbooks published by The Plowman. Her poetry chapbook The River is Blind was published by Ottawa publisher above/ground press December 2012. In 2014 her chapbook Surrogate Dharma was published by Kind of a Hurricane Press, Barometric Pressures Author Series in October 2014. In 2015, her chapbook No Raft – No Ocean was published in October 2015 by Scars Publications. More recently, her chapbook Make the Wind was published in April 2016 by Scars Publications. Also, she has chapbook Currents pending publication in 2016 with Pink.Girl.Ink. Press.
Some of places her work has appeared in include Parabola (Alone & Together print issue summer 2012); Elephant Journal; Literary Orphans; Blue Fifth Review; The American Aesthetic; Drunk Monkeys, Agave Magazine; JuxtaProse Literary Magazine, South Florida Arts Journal; Gris-Gris; New Binary Press Anthology; The Brooklyn Voice; Straylight Literary Magazine; The Milo Review; Foliate Oak Literary Magazine; The Antigonish Review; Dalhousie Review; The New Quarterly; Wascana Review; Poetry Nottingham International; The Cape Rock; Ayris; Journal of Contemporary Anglo-Scandinavian Poetry; The Toronto Quarterly; Fogged Clarity, Boston Poetry Magazine; Decanto; White Wall Review.